Trying out different sizes of woodblock type at Rossington Streey.
Below, the disparate sizes lend an aesthetic that letterpress has become known for - a kookiness that i'd like to avoid. The C is strong though.
I like the above ampersand. It's funny how some letters just look right.
Below, the chosen 3 wood blocks inked with white, ready to be pressed.
On the press.
Above and below, all of the iterations of hand printed letters. Pressed by hand, these have a very vague outline - showing the wood's grain.
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